|Date of Issue
||August 22, 1996
|Perforation or Dimension
||Diecut, imperforate = Découpé à l'emporte-pièce, non dentelé
100 Years of Cinema in Canada, 1896-1996
|Series Time Span
||Canadian Bank Note Company, Limited.
Stamp Values/Prices (Beta Mode*)
Mint - Never Hinged - Very Fine
Used - Very Fine
* Notes about these prices:
- They are currently in beta mode, meaning that they should not be relied upon yet as a source of truth and could change frequently. Please notify CPS if you come across values that do not make sense.
- They are not based on catalogue values but on current dealer and auction listings. The reason for this is that catalogues tend to over-value stamps.
- They are average prices and might not be fully accurate. The actual value of your stamp may be slightly above or below the listed value, depending on the overall condition of your stamp.
From the earliest days of film over a century ago, audiences, artists and entrepreneurs alike have been mesmerized by the power of the cinema. The invention of equipment to record moving images was instantly applauded. Today, movies are a common form of expression and entertainment around the world. The history of cinema in Canada has been varied and unique. Award-winning animated shorts, wartime newsreels, innovative features films and world-renowned documentaries are just few examples of the kind of visual storytelling at which Canadians excel. On August 22, Canada Post Corporation will release two souvenir sheets honouring one hundred years of Canadian film making. The sheets will feature a total of ten domestic rate stamps, each depicting an outstanding moment in Canadian film history. The Moontrap is an outstanding NFB documentary about the trapping of Beluga whales by the inhabitants of an island on the St. Lawrence river. The film was one of the first to use an innovative technique called cinema direct, involving a lightweight camera, minimal script and heavy emphasis on editing. Stamp designer Pierre-Yves Pelletier, well known to Details readers, screened dozens of movies with film historian André Pâquet to select ten images for the series. After their screening sessions, Pelletier and Pâquet agreed to portray actual films frames rather than posters of publicity stills on the stamps in order to capture the true feel of film. This beautiful, historic series is presented as 10 self-adhesive die-cut stamps which are arranged in vertical strips so that they look like segments of film-right down to their simulated sprocket holes and sound strips. The year and title of the films appear on the stamp, as well as additional production information.
Designed by Pierre-Yves Pelletier.
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Canada Post Corporation. Canada's Stamps Details. Vol. 5, No. 4, 1996, p. 16-17, 19-20.
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